Our Brazilian colleague Karen has interviewed photographer Fifi Tong in her blog, we would like to share the interesting result with you. Fifi Tong has been taking pictures of large families for more than 15 years, and has now published her works in an illustrated book.
Karen: You have recently published the book „Origin – family pictures in Brazil“. How did this project start?
Fifi: The project started with a photo of my family – my grandmother, my mother, my daughter, and I are in it. We dressed up in Chinese clothes, which belonged to my grandmother. She used to wear them in China. Four generations were portrayed like that to have something to remember them by later. When I developed the camera’s film, i fell in love with the pictures and instantly thought: wow, this would be a great project. I started taking pictures step by step, and had the idea of only taking pictures of women.
With this guideline, I searched for families that had been living together over many generations under one roof, at least over three generations, but preferably over four or five generations. When I developed the film, I noticed that family members often resembled each other, and that some facial expressions are inherited. I decided to extend my options because of this genetic trait and began to deliberately take pictures of families where the similarities between family members were obvious. I also started to take pictures of men, since I had noticed that mothers can resemble sons too, as well as fathers and daughters. This is how the whole project started.
Finding families with many generations was a great challenge. It was always enjoyable to find families with five generations, but sometimes a photo with only two generations fit just perfectly, so I used it for my project as well.

Karen: How did you structure your work and how long did it take to publish the first book?
Fifi: When I took the first picture of my family, my daughter was six years old. She recently turned twenty-one, so I worked on that project for fifteen years. I am really touched, it is like watching a child grow up and develops. But of course I did not always take pictures, it was very intense at times, and less intense at others. I tried selling my book at the same time, and to make my work known. That was the most difficult thing of all: to find a sponsor, and also to wait for the Rouanets Law to come into effect.*
* Brazilian law to support the arts
Karen: How did you find the motives for your book?
Fifi – I found them hrough the people near me. For instance, there was the woman who worked for me, and her little daughter, who was very young back then – she is already eighteen today. My friends and family also always helped me, and gave me hints. Sometimes they came to me and said “I know a family from Minas Gerais with five generations, are you interested?” I then contacted the family, discussed a meeting, and got into the car and started driving. When I was there, more people that also knew large families approached me and said “I know another family with five generations, they only live an hour by car from here, would you like to go there?” And of course I went!
In the end, I had so much material, and yet so many things I wanted to do remained. I for instance learned that there are two cities in Brazil the inhabitants of which are known for their very old age when the project was nearly over: Veranópolis in RS and another city in the state of São Paulo, but I did not manage to go there anymore. There was a deadline when I got a sponsor, and you have to be able to say “I’m done!” at some point of time.
Karen: Do you think that the book is a portrait of the Brazilian family?
Fifi: Yes, I think it does. The Brazilian family is a melting pot. I myself am Brazilian, have Chinese roots, and my daughter is Brazilian with a Spanish father. Practically every Brazilian has links to the immigrants who came here to build our country.
Karen: You have Chinese roots. Have you already been to your ancestors’ country?
Fifi: Yes, my parents are from Shanghai, but I have unfortunately not been there yet. I would definitely like to make up for that, I am already planning the trip diligently. I would like to spend two or three months there, preferably with my daughter once she finishes college. My parents still speak Chinese at home, Shanghai-Chinese to be exact. I find Chinese culture to be very interesting, even though I do not know any details about it. Taking pictures there would also be a very good opportunity.

Karen: Our blog’s readers are interested in genealogy. What can you tell them about it?
Fifi: Well, I believe that photography is also an important part of genealogy. As soon as you take a picture, a moment becomes eternalized. If you take a look at a mother and her daughter, you often do not realize how similar they are. The similarities are much more obvious on a photo. One sees details that one misses in daily life. There is an example of a five-generations family in my book, five women, so different, yet so alike – one can see exactly which traits are passed on. It is unbelievable when you are able to see yourself in another person, and know what you are going to look like in old age.
The family on the title page of my book is very interesting in terms of photography. One sees how the family gets brighter skin, but keeps other character traits. The girl looks exactly like her grandpa – but he is colored, while she is blonde, with blue eyes.
I very much enjoyed meeting this family and others again when I published my book. When I took the picture of the girl on the title page, she was five years old. She was already twelve when the book came out. All of them are very proud to have been a part of this project.
I would like to create a website for my next project, so that people can send me their own photos and stories, maybe a second book is created that way.
Karen: Fifi, do you have an advice for those who would like to do something similar – take pictures of a family’s generation?
Fifi: The most important thing of course is to bring all participants together. One has to be patient thus; I had to wait a lot of times. Sometimes, grandma lives in a small village and needs help to get to an appointment, and careful planning is essential, as well as patience.
Furthermore, one should try to take advantage of favourable events, such as anniversaries. The kinfolk is present anyway at a golden wedding, so why not take the traditional picture of all relatives? I feel it is unbelievably nice to take a picture of the family. Generations do not matter that much, it is more important to eternalize the moments that are important for us.
Karen: Did you ever take another picture of the first photo you took, the one with the four generations of your own family?
Fifi: No, unfortunately not. My grandfather died in 2007. It is a pity, because the fifth generation is now on the way, my nephew will be a father. There are now four generations again.
Karen: Thank you very much fort he interview, we wish you the best of luck!
These numbers are impressive, even for experienced genealogists who have compiled a family tree of considerable size, including many generations. The family tree of Confucius, the Chinese philosopher (who is believed to be the acnestor of all those bearing the family name “Kong”), includes more than 2 million (yes, 2,000,000!) names, and stretches over 80 printed volumes.
















